Selected Works and Installation Views
Works are listed in order of title of work (italics), year, material, dimensions (height x width x depth), and collection, followed by photography credits.
Oil and Water, 2003, steel and oil, 18 x 240 x 600 cm, steel and water, 18 x 240 x 600 cm, H.Factory collection. Installation view of the Permanent Exhibition at the Maruju Warehouse, Tottori Prefectural Museum, Tottori, 2020.
Video: Michiyoshi Shirota Direction and Edit: Masayoshi Kodaira
Oil Pool, 2009, steel and oil, 18 x 984 x 292 cm, private collection. Installation view of Society and Matter, BankART Studio NYK, Kanagawa, 2009. *This work was restored in 2020 with new dimensions 18 x 501.1 x 376.4 cm.
Photo: Risaku Suzuki
Bussei II, 2012, steel and oil, 18 x 530.8 x 419.2 cm, private collection. Installation view of Matter and Sculpture: From Aporia toward Memento, The University Art Museum, Tokyo University of the Arts, 2012.
Photo: Tadasu Yamamoto
Drawing for Matter and Mind (Oil Pool) and Matter for Documenta 6, 1977, graphite on tracingpaper, 50 x 54.4 cm each, private collection.
Photo: Tomoaki Okuyama
Plans for Matter and Mind (Oil Pool) and Matter for Documenta 6, 1977, blueprint, 50 x 54.4 cm each, private collection.
Photo: Tomoaki Okuyama
Untitled, 1979, lead and graphite on tracing paper, 33 x 42 cm, private collection.
Photo: N/A
Untitled, 1979, lead and graphite on tracing paper, 33 x 42 cm, private collection.
Photo: N/A
Air pipe No11, 2015, acrylic paint on canvas and plywood, 96.3 x 143.8 x 32 cm, private collection. Installation view of the artist’s studio.
Air pipe No10, 2015, acrylic paint on canvas and plywood, 595 x 400 x 19.5 cm, private collection. Installation view of the artist’s studio.
Untitled, 1969, gouache and graphite on paper, 60 x 70 cm framed size, private collection.
Photo: KEI OKANO
Untitled, 1967, silkscreen and collage on paper, 42 x 54.3 cm, private collection.
Photo: KEI OKANO
Invitation to Noriyuki Haraguchi Exhibition featuring Air Pipe and Impossible. Muramatsu Gallery, Tokyo, 1968.
Photo: KEI OKANO
Sketches for A-4E Skyhawk, five graphite on color paper sketches mounted on paper, 46.5 x 76.5 cm each, private collection.
Photo: Yamamoto Tadasu
Phantom, 2009, aluminum and steel on plywood, 395 x 779 x 510 cm, private collection. Installation view of Society and Matter, BankART Studio NYK, Kanagawa, 2009.
Photo: Risaku Suzuki
Phantom, 2009, in the making, on the site of exhibition.
Photo: kubokawa yoh
Wire, 2009, steel wire, 10 m, private collection. Installation view of Society and Matter, BankART Studio NYK, Kanagawa, 2009.
Photo: Risaku Suzuki
Drawing for solo exhibition at Galerie Alfred Schmela, Düsseldorf, 1977, graphite on tracing paper, 49.5 x 64 cm each, private collection.
Photo: Tomoaki Okuyama
Diagonal configuration1, Diagonal configuration2, Horizontal configuration, 2019, H-section steel beams and steel wire on concrete foundation, 645.3x1590x1344 cm, 779x1600x1430 cm, 190x1200x900 cm, complete installation 779×4046.5×2740 cm, private collection. Installation at Setouchi international art festival, Okayama, 2019.
Photo: Yamamoto Sotaro
Drawing no. 1 for solo exhibition at Sakura Gallery, 1979, graphite on graph paper, 43 x 61.6 cm, private collection.
Photo: Tomoaki Okuyama
Drawing no. 2 for solo exhibition at Sakura Gallery, 1979, graphite on graph paper, 43 x 61.6 cm, private collection.
Photo: Tomoaki Okuyama
Drawing no. 4 for solo exhibition at Sakura Gallery, 1979, graphite on graph paper, 43 x 61.6 cm, private collection.
Photo: Tomoaki Okuyama
Untitled, 2009, polyurethane and canvas, 185 x 183.2 x 13.5 cm, private collection. Installation views from Society and Matter, BankART Studio NYK, Kanagawa, 2009.
Photo: Risaku Suzuki
Installation view of Society and Matter, BankART Studio NYK, Kanagawa, 2009.
Photo: Risaku Suzuki
B plan Green, 2018, acrylic paint on polyurethane and honeycomb-paper, 875 x 875 x 14.8 cm, private collection. Installation view of the artist’s studio.
Grey No.4, 2017, acrylic paint on polyurethane and honeycomb-paper, 90.5 x 90.8 x 9.5 cm, private collection.
Photo: Tetsuo Ito Courtesy of Kenji Taki Gallery
Monochrome E, 2018, acrylic paint on polyurethane and honeycomb-paper, 191.5 x 198 x 39 cm, private collection.
Photo: Courtesy of Kenji Taki Gallery
Untitled, 2009, polyurethane on plywood, 123 x 733 x 210 cm, private collection. Installation view of Society and Matter, BankART Studio NYK, Kanagawa, 2009.
Photo: Risaku Suzuki
Untitled, 2009, polyurethane on plywood, 246.5 x 244 x 410 cm each, private collection. Installation view of Society and Matter, BankART Studio NYK, Kanagawa, 2009.
Photo: Risaku Suzuki
Monochrome F, 2018, acrylic paint on polyurethane and honeycomb-paper, acrylic paint, 21.5 x 21.3 x 248.5 cm, private collection. Installation view of Noriyuki Haraguchi– Monochrome, Kenji Taki Gallery, Tokyo, 2018.
Photo: Courtesy of Kenji Taki Gallery
Untitled, 1968, graphite on tracing paper, 21 x 29.7 cm, private collection.
Photo: Tomoaki Okuyama
Untitled, 2009, acrylic paint on canvas, 182.5 x 107 x 75 cm (left) 292 x 171.5 x 75 cm (right), private collection.
Installation view of Society and Matter, BankART Studio NYK, Kanagawa, 2009.
Photo: Risaku Suzuki
Drawings for solo exhibition at Villa Waldberta, München, 2003, four pencil on paper drawings mounted on paper, 46.5 x 76.5 cm each, private collection.
Photo: Yamamoto Tadasu
M-14, 2003, oil paint on canvas and wood frame, 320 x 320 x 4.5 cm (center), private collection.
M-16, 2003, oil paint on canvas and wood frame, 60 x 50 x 4.5 cm (right), private collection.
Installation view of solo exhibition at Villa Waldberta, München, 2003.
M-15, 2003, oil paint, canvas, 60 x 50 x 4.5 cm (left), private collection.
M-17, 2003, oil paint on paper and canvas with level, 370 x 250 x 4.5 cm (center), private collection.
M-18, 2003, oil paint, canvas, 100 x 69.6 x 4.5 cm (right)
, private collection.
Installation view of Noriyuki Haraguchi Exhibition, Villa Waldberta, München, 2003.
Out and in, 2020, iron and aluminum, 144×113.5×183 cm, private collection. Installation view of Wall to Wall: Noriyuki Haraguchi. √K Contemporary, Tokyo, 2020.
Photo: Yamamoto Sotaro Courtesy of √K Contemporary
Photo: Yamamoto Sotaro Courtesy of √K Contemporary
Color and Matter, 2019, silkscreen, acrylic paint on polyurethane and honeycomb-paper, 100 x 100 x 10 cm x 50 pieces, 90 x 90 x 10 cm x 25 pieces, private collection. Installation view of Oita Art Festival: Migration Theater Spiral, Oita, 2019.
Photo: Oita City Council for the Promotion of City Creation Utilizing Art©
Oil Pool, 2020, oil, steel, and aluminum, 70×378.2×503 cm, collection of √K Contemporary, Tokyo. Installation view of Wall to Wall: Noriyuki Haraguchi, √K Contemporary, Tokyo, 2020.
Photo: Masao Katagami Courtesy of √K Contemporary
Artist in his studio.